Two more Tribeca Film Festival entries to add: Descent with Rosario Dawson (C, but Dawson gets an A), and Gardener of Eden directed by "Entourage's" Kevin Connolly (B+).
"A movie is not good because it arrives at conclusions you share, or bad because it does not. A movie is not about what it is about. It is about how it is about it: about the way it considers its subject matter, and about how its real subject may be quite different from the one it seems to provide." - Roger Ebert, from the introduction to "Awake in the Dark" (2006)
Alphabetically, The Matrimony (C), Mulberry Street (C), In Search of a Midnight Kiss (A-), Suburban Girl (C), Take (A)
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"A movie is not good because it arrives at conclusions you share, or bad because it does not. A movie is not about what it is about. It is about how it is about it: about the way it considers its subject matter, and about how its real subject may be quite different from the one it seems to provide." - Roger Ebert, from the introduction to "Awake in the Dark" (2006)
Two more from Tribeca: the documentary Music Inn (C+) and the multi-story drama The Air I Breathe (B-)
"A movie is not good because it arrives at conclusions you share, or bad because it does not. A movie is not about what it is about. It is about how it is about it: about the way it considers its subject matter, and about how its real subject may be quite different from the one it seems to provide." - Roger Ebert, from the introduction to "Awake in the Dark" (2006)
Three more films from Tribeca, all solid but imperfect: Numb (B+), highlighted by a Matthew Perry performance that alone is worth the price of admission; The Cake Eaters (B-), a slight but charming small-town drama directed by Mary Stuart Masterson; and Good Time Max (B+), a strong drama about drug addiction co-written and directed by actor James Franco.
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"A movie is not good because it arrives at conclusions you share, or bad because it does not. A movie is not about what it is about. It is about how it is about it: about the way it considers its subject matter, and about how its real subject may be quite different from the one it seems to provide." - Roger Ebert, from the introduction to "Awake in the Dark" (2006)
From Tribeca: I've added Purple Violets (B), directed by Edward Burns and starring Patrick Wilson, Selma Blair, and Debra Messing, and Watching the Detectives (C), starring Cillian Murphy and Lucy Liu.
"A movie is not good because it arrives at conclusions you share, or bad because it does not. A movie is not about what it is about. It is about how it is about it: about the way it considers its subject matter, and about how its real subject may be quite different from the one it seems to provide." - Roger Ebert, from the introduction to "Awake in the Dark" (2006)
From Tribeca: Added Charlie Bartlett (C+), a high school comedy with Anton Yelchin and Robert Downey Jr.
"A movie is not good because it arrives at conclusions you share, or bad because it does not. A movie is not about what it is about. It is about how it is about it: about the way it considers its subject matter, and about how its real subject may be quite different from the one it seems to provide." - Roger Ebert, from the introduction to "Awake in the Dark" (2006)
From Tribeca: Added two documentaries -- I Am an American Soldier ... (A), and 9 Star Hotel (B)
"A movie is not good because it arrives at conclusions you share, or bad because it does not. A movie is not about what it is about. It is about how it is about it: about the way it considers its subject matter, and about how its real subject may be quite different from the one it seems to provide." - Roger Ebert, from the introduction to "Awake in the Dark" (2006)
My final two Tribeca Film Festival entries: the documentary Jerabek (A), and the Mexican drama Two Embraces (B+).
"A movie is not good because it arrives at conclusions you share, or bad because it does not. A movie is not about what it is about. It is about how it is about it: about the way it considers its subject matter, and about how its real subject may be quite different from the one it seems to provide." - Roger Ebert, from the introduction to "Awake in the Dark" (2006)
"A movie is not good because it arrives at conclusions you share, or bad because it does not. A movie is not about what it is about. It is about how it is about it: about the way it considers its subject matter, and about how its real subject may be quite different from the one it seems to provide." - Roger Ebert, from the introduction to "Awake in the Dark" (2006)
